Silver Surfer: BlackBy Donny Cates & Trade Moore Uses fluid, organic panel layouts, swirling compositions, and seamless transitions to create a hypnotic, immersive reading experience that mirrors the journey. The innovative use of negative space, circular motifs, and abstract compositions makes each page feel dynamic and otherworldly, pushing the boundaries of traditional comic storytelling.    BubbleBy Jordan Morris, Sarah Morgan and Tony Cliff Uses cinematic paneling, expressive character-focused layouts, and playful lettering to enhance its fast-paced, comedic storytelling. By varying panel sizes for pacing and integrating dynamic sound effects, the comic creates an engaging, visually lively adaptation of the original podcast   
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Readings:
Comics Art, Paul Gravett Closure and Transition Types, Scott McCloud 
Readings:
Media Semiotics, Jonathan Bignall Rhetoric of the Image, Roland Barthes
 Readings:
The Photographic Message, Roland Barthes Making Comics, Scott McCloud Roland Barthes’ “The World of Wrestling” compares professional wrestling to a performance rather than a sport. He explains it’s a form of theatre, where characters embody clear heroes and villains, creating dramatic narratives. Barthes views wrestling as a myth, reflecting societal values through good and evil. The appeal to the viewer is not in the sport itself, but the emotion conveyed through storytelling and the moral conflicts it presents. It’s a popular culture that provides entertainment.
 Readings:
Media Semiotics, Jonathan Bignell Mythologies/ World of Wrestling, Roland Barthes Semiotics in Graphic Design, Peter Storkerson |
